"If that is all," says Geoffrey, with a light laugh, laying his hand over the small brown one that still rests upon his arm, "I think it need hardly separate us. You are, indeed, different from all the other women I have met in my life,—which makes me sorry for all the other women. You are dearer and sweeter in my eyes than any one I have ever known! Is not this enough? Mona, are you sure no other reason prevents your accepting me? Why do you hesitate?" He has grown a little pale in his turn, and is regarding her with intense and jealous earnestness. Why does she not answer him? Why does she keep her eyes—those honest telltales—so obstinately fixed upon the ground? Why does she show no smallest sign of yielding?,
It is midday, and Geoffrey, gun in hand, is idly stalking through the sloping wood that rises behind Mangle Farm. The shooting he has had since his arrival in Ireland, though desultory,—perhaps because of it,—has proved delightful in his sight. Here coveys come upon one unawares, rising out of fields when least expected, and therefore when discovered possess all the novelty of a gigantic surprise. Now and then he receives kindly warning of birds seen "over night" in some particular corner, and an offer to escort him to the scene of action without beat of drum.,
It is the 14th of December, and "bitter chill." Upon all the lawns and walks at the Towers, "Nature, the vicar of the almightie Lord," has laid its white winding-sheet. In the long avenue the gaunt and barren branches of the stately elms are bowed down with the weight of the snow, that fell softly but heavily all last night, creeping upon the sleeping world with such swift and noiseless wings that it recked not of its visit till the chill beams of a wintry sun betrayed it.,
"Look here," says Geoffrey, with decision, "I will have no 'buts,' and I prefer taking my answer from your eyes than from your lips. They are kinder. You are going to marry me, you know, and that is all about it. I shall marry you, whether you like it or not, so you may as well give in with a good grace. And I'll take you to see Rome and all the places we have been talking about, and we shall have a real good old time. Why don't you look up and speak to me, Mona?"
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Mona, drawing a chair to the panelled wall, steps up on it, and, pressing her finger on the seventh panel, it slowly rolls back, betraying the vacuum behind.,
He started, and after he had travelled some time he saw a woman standing not far from the trail. She called to him, saying, "Come here, young man, come here; I want to wrestle with you.",
A very charming vision clad in Oxford shirting, and with a great white hat tied beneath her rounded chin with blue ribbons,—something in the style of a Sir Joshua Reynolds,—emerges from among the low-lying firs at this moment. Having watched the (seemingly) light catastrophe from afar, and being apparently amused by it, she now gives way to unmistakable mirth and laughs aloud. When Mona laughs, she does it with all her heart, the correct method of suppressing all emotion, be it of joy or sorrow,—regarding it as a recreation permitted only to the vulgar,—being as yet unlearned by her. Therefore her expression of merriment rings gayly and unchecked through the old wood.,
"I am content to stay here until the day dawns, if you keep me company," replies he, easily.
"You are worn out, my love, my sweetheart," says Geoffrey, very tenderly, speaking to her as though she is in years the child that, in her soul, she truly is. "Come, Mona, you will not cry on this night of all others that has made me yours and you mine! If this thought made you as happy as it makes me, you could not cry. Now lift your head, and let me look at you. There! you have given yourself to me, darling, and there is a good life, I trust, before us; so let us dwell on that, and forget all minor evils. Together we can defy trouble!"
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"Do you know it never occurred to me until this afternoon?" she says, simply; "but now I think—I may be mistaken, but I really do think he fancies himself in love with me. A very silly fancy, of course."
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"I have nothing to do with you. Go your ways. It is with him I have to settle," says the man, morosely.
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"Nolly, you have no romance in your nature," says Nicholas, severely.
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Halin-Chen Response,
>"I should have written to you about it sooner," he says at last, apologetically, hoping half his mother's resentment arises from a sense of his own negligence, "but I felt you would object, and so put it off from day to day."
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